There was once a photographer known as the “Shadow Catcher.”

It was over 100 years ago. Accompanying an expedition, he captured on camera the many scenes he witnessed in unexplored lands. Most of the photographs were monochrome, depicting a world without color. Yet a uniquely profound atmosphere lingered within them. In a way, the same could be said of THE CRIMIE, known for its predominantly black palette. A single piece that adds color to an ordinary day can also stand out in a monochrome world.